Hit Life: Modern Hip Hop is filled with 50 sets that include one-shot samples and drum loops with all the elements for complete control over the sound. These kits are head and shoulders above standard quality, creativity and practicality, and include tracks in the style of Drake, The Weekend, Eminem, Fetty Wap, Bryson Tiller and many others. In addition to magnifying glasses, each set includes a folder with MIDI files for complete flexibility when creating melodic material using your own instruments.
Content:
MULTI-FORMAT VERSION
Apple Loops:
• 4.11 GB Total Content
• 946 Apple Loop Files
• 173 MIDI Files
Acidized WAV:
• 4.17 GB Total Content
• 946 Acidized WAV Files
• 173 MIDI Files
REX:
• 1.66 GB Total Content
• 780 REX Files
Apple Loops:
• 4.11 GB Total Content
• 946 Apple Loop Files
• 173 MIDI Files
Acidized WAV:
• 4.17 GB Total Content
• 946 Acidized WAV Files
• 173 MIDI Files
REX:
• 1.66 GB Total Content
• 780 REX Files
KLI 3.0 SERIES VERSION
• You must have a FULL version of Kontakt 5.5.1 to use this product.
• 4.3 GB of content
• 730 Total Kontakt Patches
• 50 Kit Combo Patches
• 51 Drum Kits Patches
• 19 Single Instrument Patches
• 609 Sliced Loop Patches
• 1 Kit Demo Patch
• You must have a FULL version of Kontakt 5.5.1 to use this product.
• 4.3 GB of content
• 730 Total Kontakt Patches
• 50 Kit Combo Patches
• 51 Drum Kits Patches
• 19 Single Instrument Patches
• 609 Sliced Loop Patches
• 1 Kit Demo Patch
Additional Information:
Kontakt 5.5.1 is required to use the Kontakt 5 instrument patches in the KLI version of this product. This product does not work with the free Kontakt Player.
Hit Life: Modern Hip Hop boasts 50 fully formed construction kits that include drum hits and drum tracks stems for full control over every element. These kits are a cut in the norm in quality, creativity, and usability, fully formatted in KLI and includes tracks in the styles of Drake, The Weekend, Eminem, Fetty Wap, Bryson Tiller, and more!
In addition to the regular loop content, each kit includes a folder of MIDI files for full flexibility and control over the melodic content of the track using your own virtual instruments.
Hit Life: Modern Hip Hop has been formatted in the most of the used formats: Apple Loops, Acidized WAV and REX files, making it usable in virtually every piece of software and hardware in use on the market today. In addition, this library comes fully formatted for the KLI. For more information on the KLI format, please see the KLI overview video here: KLI OVERVIEW
MULTI FORMAT
Hit Life: Modern Hip Hop has been formatted in all the industry standard file types: Apple Loops, Acidized WAV and REX. Every piece of commonly used hardware and software will be compatible with at least one of these fully developed and usable formats.
Each audio file has been expertly cut and edited to the highest quality.
Apple’s proprietary time stretching and pitch bending algorithms.
If you’re working inside Protools, Cubase, Fruity Loops, Ableton Live, Sony ACID or any other DAW on the market, the Acidized WAV files are the perfect fit for time stretching and pitch bending capabilities. The Acidized WAV files can also be used as standard.
Beat-makers and artists who love sampled melodic slices work well with our REX / RMX format Octo REX player in Propellerheads Reason DAW.
KLI 3.0 Series
The KLI 3.0 Series allows you to quickly arrange and mix tracks in our Kit Combo Patches and make the original drum tracks using our custom drum patches that include both multi-track drum loops and one-shot samples.
Libraries in the KLI Series (Kontakt Loop Interface) include a custom interface for tweaking loops and sounds. Each loop is given its own patch and can be extensively edited by manipulating the various slices of the loop. In addition, the groups of loops that have been put together are easy to organize and loops on the fly. Each patch in the Kontakt player will automatically sync with your DAW’s host tempo, making integration with your production seamless.
KLI 3.0 PATCHES
Kit Combos – Each patch contains all the loops from the main body of the track to create quick and easy arrangements. Modulation Keys are located in the C0-C1 octave range, loops start at C2 on the keyboard.
Sliced Loops – Each loop from the product has its own patch and can be edited extensively using the “loop fx” interface.The full loop can be triggered at C0. on the keyboard.
Single Instruments – These patches include full menus of each group of instruments arranged by kit. For example all the Synths from the whole product can be found in the patch called “Synths.nki”. (Loops start at C2 on the keyboard)
Drum Kits – These patches include all multi-track drum loops (starting on C2) and all single hits (starting on C4) giving you complete access to your own custom drum parts.
FX Suite – Each patch includes a suite of group-assignable FX to shape the sound and processing of the sample groups.
Hit Life: Modern Hip Hop boasts 50 fully formed construction kits that include drum hits and drum tracks stems for full control over every element. These kits are a cut in the norm in quality, creativity, and usability, fully formatted in KLI and includes tracks in the styles of Drake, The Weekend, Eminem, Fetty Wap, Bryson Tiller, and more!
In addition to the regular loop content, each kit includes a folder of MIDI files for full flexibility and control over the melodic content of the track using your own virtual instruments.
Hit Life: Modern Hip Hop has been formatted in the most of the used formats: Apple Loops, Acidized WAV and REX files, making it usable in virtually every piece of software and hardware in use on the market today. In addition, this library comes fully formatted for the KLI. For more information on the KLI format, please see the KLI overview video here: KLI OVERVIEW
MULTI FORMAT
Hit Life: Modern Hip Hop has been formatted in all the industry standard file types: Apple Loops, Acidized WAV and REX. Every piece of commonly used hardware and software will be compatible with at least one of these fully developed and usable formats.
Each audio file has been expertly cut and edited to the highest quality.
Apple’s proprietary time stretching and pitch bending algorithms.
If you’re working inside Protools, Cubase, Fruity Loops, Ableton Live, Sony ACID or any other DAW on the market, the Acidized WAV files are the perfect fit for time stretching and pitch bending capabilities. The Acidized WAV files can also be used as standard.
Beat-makers and artists who love sampled melodic slices work well with our REX / RMX format Octo REX player in Propellerheads Reason DAW.
KLI 3.0 Series
The KLI 3.0 Series allows you to quickly arrange and mix tracks in our Kit Combo Patches and make the original drum tracks using our custom drum patches that include both multi-track drum loops and one-shot samples.
Libraries in the KLI Series (Kontakt Loop Interface) include a custom interface for tweaking loops and sounds. Each loop is given its own patch and can be extensively edited by manipulating the various slices of the loop. In addition, the groups of loops that have been put together are easy to organize and loops on the fly. Each patch in the Kontakt player will automatically sync with your DAW’s host tempo, making integration with your production seamless.
KLI 3.0 PATCHES
Kit Combos – Each patch contains all the loops from the main body of the track to create quick and easy arrangements. Modulation Keys are located in the C0-C1 octave range, loops start at C2 on the keyboard.
Sliced Loops – Each loop from the product has its own patch and can be edited extensively using the “loop fx” interface.The full loop can be triggered at C0. on the keyboard.
Single Instruments – These patches include full menus of each group of instruments arranged by kit. For example all the Synths from the whole product can be found in the patch called “Synths.nki”. (Loops start at C2 on the keyboard)
Drum Kits – These patches include all multi-track drum loops (starting on C2) and all single hits (starting on C4) giving you complete access to your own custom drum parts.
FX Suite – Each patch includes a suite of group-assignable FX to shape the sound and processing of the sample groups.
